RENTAL

Made to shoot. Ready to rent.

Alles, was ihr hier findet, gehört zu unserem eigenen Equipment. Keine riesigen Stückzahlen, kein anonymer Verleih. Dafür Equipment, das wir kennen, pflegen und vor jeder Vermietung selbst checken. Und wenn ihr Fragen zu einem Setup habt, sprecht ihr mit Leuten, die damit auch tatsächlich drehen.

Ganz neu dabei: Pixboom Spark.

Abholung bei uns in Grassau, Lieferung nach München, Versand deutschlandweit. Europa auf Anfrage.

Everything you see here is our own gear. Equipment we know, use and take care of ourselves. Questions about a setup? Just ask.

New in: Pixboom Spark.

Pick up in Grassau, delivery to Munich, shipping across Germany. Europe on request.

Pixboom Spark mieten bei BUSTER BLACK
Pixboom Spark mieten bei BUSTER BLACK
Pixboom Spark Rental Deutschland
Pixboom Spark mieten im Chiemgau
Pixboom Spark Filmtechnik Verleih

Pixboom Spark Package

  • Super 35 global shutter high-speed camera. Up to 670 fps in 4.6K open gate and over 1,700 fps in 2K, in a body that weighs about a kilo.

    • Pixboom Spark camera body

    • Mount adapter PL

    • Mount adapter Sony-E

    • 2x Pixboom Pro Card 2.5 TB

    • High-speed USB-C cable for offloading

    • AC power adapter

    • Case

    • Sensor: Super 35 global shutter CMOS, 4608 x 3072, 13 stops

    • ISO: 400 to 1600

    • Frame rates: 670 fps at 4.6K open gate (3:2), 781 fps at 4.6K 16:9, 887 fps at 4K 16:9, 1,724 fps at 2K 16:9, up to 3,625 fps at 2K 4:1

    • Recording: Pixboom RAW to Pixboom Pro Card, up to 10 GB/s

    • Offload: USB-C, 20 Gbps

    • Outputs: 12G-SDI, HDMI 2.0 (both 4K 60p), 9-pin EXT for timecode, sync, remote

    • Power: V-Lock interface, 12 to 24 V

    • Weight: approx. 1.1 kg body only, 108 x 110 x 130 mm

  • 650 EUR / day, 2,600 EUR / week (net)

  • The camera needs V-Mount power and a monitor. Batteries, Monitor (SmallHD, Atomos Ninja) and Lenses can be added from our list. Operator available on request.

Send inquiry

ARRI ALEXA 35 Xtreme Package

  • ALEXA 35 with the Xtreme upgrade. 17 stops up to 330 fps, up to 660 fps in Sensor Overdrive. Ready to shoot with B-Mount power, viewfinder and full support in one Eisele case.

  • This is our A camera. We had it upgraded to Xtreme, so on top of everything the ALEXA 35 already does, it now shoots up to 330 fps with the full 17 stops and up to 660 fps in Sensor Overdrive. It records ARRIRAW, ARRICORE and ProRes, and pre-record holds up to 30 seconds at 4.6K open gate.

    It comes built the way we use it: LPL mount with PL adapter, MVF-2 viewfinder, ARRI support, and enough B-Mount power for a full day. We also add a 2EyeTec B-Mount Battery belt mount if you want to built the Alexa35 even smaller, which we personally do everytime.

    Everything travels in one Eisele case.

    Recording media is booked separately, so you only pay for the capacity you need. For ARRIRAW above 35 fps in 4.6K open gate you'll need the 2 TB Codex drive.

    • ARRI ALEXA 35 Xtreme body, Cine license, with mount cap

    • ARRI LPL lens mount (LBUS)

    • ARRI PL-to-LPL adapter

    • ARRI MVF-2 viewfinder with 2x right-angle VF cable

    • ARRI production support set: BUD-1, CSB-1 left and right, SAS-1, LMS-4

    • ARRI 12" bottom plate

    • ARRI B-Mount battery adapter, 2EyeTec B-Mount plate extension

    • ARRI PDM-1 power distribution module

    • ARRI KC-50 camera power cable, 2 m

    • 4x bebob B290cine B-Mount, 285 Wh

    • 2x bebob B155cine B-Mount, 156 Wh

    • 1x bebob B90cineML hot-swap buffer, 86 Wh

    • bebob BS4 4-channel B-Mount charger

    • 2EyeTec B-Mount Battery Adapter (for belt use)

    • Eisele case

    • Sensor: Super 35 ALEV 4, 4.6K, 17 stops

    • Frame rates: up to 330 fps with full dynamic range, up to 660 fps in Sensor Overdrive (11 stops)

    • Codecs: ARRIRAW, ARRICORE, Apple ProRes

    • Pre-record: up to 30 s at 4.6K open gate

    • Media: Codex Compact Drive

    • Mount: LPL (LBUS), PL via adapter

    • Power: B-Mount

  • 1,350 EUR / day, 5,400 EUR / week (net)

    • Codex Compact Drive 2 TB: 100 EUR / day. Needed for ARRIRAW above 35 fps in 4.6K open gate. We have one, more on request.

    • Codex Compact Drive 1 TB: 60 EUR / day each, up to three

    • Codex Compact Drive Reader (USB-C): 15 EUR / day

    • ARRI Hi-5 Lens Control Package: 450 EUR / day, see below

  • Short description: ARRI Hi-5 hand unit with three cforce mini motors and a cmotion pan bar zoom. Focus, iris and zoom, wireless.

    Description:

    Wireless lens control as we run it on our own jobs. The Hi-5 hand unit drives up to three cforce mini motors, and the pan bar zoom gives the operator zoom on the handle. We include pre-marked rings so your focus puller can start without marking up a fresh one.

    What's in the case:

    • ARRI Hi-5 hand unit with RF-EMIP radio module (2.4 GHz)

    • 2x LBP-3500 battery, LBP charger

    • Neck strap, hand strap, PanzerGlass screen protector

    • 2x ARRI cforce mini motor, each with clamp-on adapter, 19-15 reduction ring, 0.8 gear, long and short LBUS cable

    • 1x ARRI cforce mini RF motor with clamp-on adapter, 19-15 reduction ring, 0.8 gear, RS-to-7-pin and D-Tap-to-7-pin cable

    • cmotion pan bar zoom unit

    • 10x pre-marked rings, 5x blank rings

    Rates: 450 EUR / day, 1,800 EUR / week (net). Also available with other cameras.


Send inquiry

Cooke S4/i Prime Set

  • Eight Cooke S4/i primes from 18 to 100 mm, all T2, PL mount with /i data. One case.

  • The Cooke Look, no explanation needed. Warm, sharp without being clinical, skin that looks like skin. The S4/i are the lenses we reach for when faces matter. Or in general, when we want to be happy with our outcome since we simply trust these lenses. We’ve decided to create a setup with the more unusual focal lengths with the 21 and 27 being our favorite go-to lenses. If I would be on a deserted island, the 27mm would be the only lens I’d take with me. And a camera of course…

    Eight focal lengths with no big gaps, all at T2, so you can move between them without re-lighting. /i data goes to the camera for lens metadata and to compatible lens control systems.

    • Cooke S4/i 18 mm T2

    • Cooke S4/i 21 mm T2

    • Cooke S4/i 27 mm T2

    • Cooke S4/i 32 mm T2

    • Cooke S4/i 40 mm T2

    • Cooke S4/i 50 mm T2

    • Cooke S4/i 75 mm T2

    • Cooke S4/i 100 mm T2

    • Front and rear caps for every lens

    • Peli 1600 case

  • PL mount, /i Technology, T2 across the set, 110 mm front diameter, covers Super 35.

  • 850 EUR / day, 3,400 EUR / week (net)

Send inquiry

Kowa Cine Prominar Anamorphic Set

  • Original Kowa Cine Prominar 2x anamorphics from Japan. 40, 50, 75 and 100 mm, with screw-in diopters.

  • These are the original Kowas, yes, the ones from Japan coming in from the 70s. Not rehoused but taking care of. Professional lens technicians from Munich described the set as pretty flawless optically with the 100mm being “one of the cleanest, sharpest 100mm Kowa I’ve ever seen”. 

    The fact they are original matters: they handle differently, the gear rings are not the modern standard, and they have the character people are looking for when they ask for Kowa. Oval bokeh, streak flares, a warm look, soft falloff at the edges, a little imperfect in all the right ways.

    2x squeeze, so plan for de-squeeze on a Super 35 or 4:3 sensor. The ALEXA 35 and the Pixboom Spark both handle that in camera. We include +1, +2 and +3 and a ridiculously close +10 diopter for closer work.

    • Kowa Cine Prominar 40 mm, 2x anamorphic

    • Kowa Cine Prominar 50 mm, 2x anamorphic

    • Kowa Cine Prominar 75 mm, 2x anamorphic

    • Kowa Cine Prominar 100 mm, 2x anamorphic

    • Screw-in diopters +1, +2, +3 and +10

    • Front and rear caps for every lens

    • Peli 1535 case

  • 2x squeeze, original Japanese housing, mount: PL, 80 mm front diameter.

  • 650 EUR / day, 2,600 EUR / week (net)

Send inquiry

 Fujinon Cabrio 19-90 T2.9

  • The all-round cinema zoom. 19 to 90 mm at T2.9, PL mount, comes with bridge support.

  • If we could only take one lens, it would probably be this one (and the 27mm Cooke of course… so two lenses it is). 19 to 90 mm covers most of a shoot day, it's constant T2.9 through the range and it holds up well next to cinema primes. Good for documentary, commercials with tight schedules, second unit, or as the zoom next to a prime set. We bought it for U-Crane work but use it mostly for comedy gigs when there’s a need for a whip Zoom or when you want to emphasize something with a long and steady zoom. The 19-90mm range hits perfect for these kind of use cases. It’s also tack sharp and flares beautifully with some nice halos.


    It's 2.7 kg, so it wants proper support. The 19 mm bridge support is in the case. We do have the typical EB Servo Unit but never used it. Available on request!

    • Fujinon Cabrio ZK4.7x19, 19-90 mm T2.9

    • Front and rear caps

    • 19 mm bridge support

    • Eisele case

  • PL mount, T2.9, close focus 0.85 m, 2.7 kg, servo drive available on request

  • 220 EUR / day, 880 EUR / week (net)

Send inquiry

Cooke Varotal 25-250

  • Classic long cinema zoom with a 10x range. Soft, warm, a proper seventies and eighties look.

  • The Varotal 25-250 is a piece of film history and it looks like it. Lower contrast, warm, gentle flares, and a zoom range that invites real zooms instead of cuts. We like it for period work, music videos, sport and anything that should feel less digital.

    It's a big lens and it's slow, so plan for light. Bridge support and case are included. It also doesn’t cover the full Alexa35 sensor so you might use it in 4K Mode or crop in post later.

    • Cooke Varotal 25-250 mm, T3.9

    • Front and rear caps

    • 19 mm bridge support

    • Eisele case

  • 25-250 mm, T3.9, mount: PL, version: Mk II

  • 180 EUR / day, 720 EUR / week (net)

Send inquiry

Nikon ZR Package, rts

  • Full-frame 6K cinema camera with RED RAW. Comes with EF and PL adapters, five batteries and five cards. Unpack and shoot.

  • Small, light, and it records R3D NE internally, so it cuts in with bigger cameras much better than you'd expect. We use it as a B camera, “crash” cam (don’t worry, it looks and feels like brand new and out of the box) and for anything where a big rig doesn't fit. Perfect for DJI RS3-4 Gimbal work, even with PL Mount and PL lenses since it doesn’t weigh much.


    We built it out so you don't have to: an Sony-E adapter for stills and cine-style Sony glass, and a PL adapter with built-in ND (Vari-ND), so it takes the same lenses as the ALEXA. Five batteries and five cards (4x512GB and 1x256GB trusty Sandisk Cards) is enough for a full day. The Nikon ME-D10 mic sits on top for proper scratch sound.

    We’ve tested the camera with different battery types and memory cards and this is the right setup! Other cards (like Angel-Bird 1TB Cards) tend to overheat due to the high data rate of the camera and simply shut down the camera. This doesn’t happen with the Sandisk cards.

    • Nikon ZR body

    • Megadap Z-to-Sony-E adapter

    • Mofage Poco Z-to-PL adapter with built-in ND

    • 5x original Nikon battery

    • 4x CFexpress Type B 512 GB, 1x CFexpress Type B 256 GB

    • CFexpress card reader

    • Nikon ME-D10 shotgun microphone

    • Peli card case

    • Battery charger

  • Full-frame, 6K, internal R3D NE, 32-bit float audio, 4" screen, in-body stabilisation, CFexpress Type B and microSD, Nikon Z mount with EF and PL via adapter.

  • 150 EUR / day, 600 EUR / week (net)

  • Hollyland Mars M1 wireless video, 2-pack: 50 EUR / day

Send inquiry

Sony G Master Lenses

  • Four Sony G Master lenses for E-mount: 16-35, 24-70, 24 and 35. As a set or one by one.

  • Our stills and hybrid lenses. Fast, sharp and small, with autofocus on Sony bodies and designated mounts (Nikon ZR Sony-E Mount). They work on the Pixboom Spark with the E adapter, which makes the Spark a lot lighter on a gimbal. Take the whole set or just the one you're missing.

    • Sony FE 16-35 mm F2.8 GM 

    • Sony FE 24-70 mm F2.8 GM

    • Sony FE 24 mm F1.4 GM

    • Sony FE 35 mm F1.4 GM

    • Front and rear caps, lens hood for each lens

  • Full-frame, 6K, internal R3D NE, 32-bit float audio, 4" screen, in-body stabilisation, CFexpress Type B and microSD, Nikon Z mount with EF and PL via adapter.

  • Set of four: 90 EUR / day, 360 EUR / week

    16-35 mm or 24-70 mm: 35 EUR / day, 140 EUR / week

    24 mm or 35 mm: 25 EUR / day, 100 EUR / week

Send inquiry

The small print.

All rates in EUR, net, plus VAT. A week is charged as four days. Rental starts on the day of pickup and ends on the day of return. For one-day shoots within week-long productions, we may charge standing days. Insurance and transport are not included. The hirer insures the equipment at replacement value. Pickup in Grassau, delivery to Munich and shipping within Germany. Europe and courier on request. Every production is different. So are budgets and setups. Talk to us. We’re sure we’ll find a deal that works.